Nase gay blume

Born in , Brunnen, Switzerland
Lives and works in Zürich, Switzerland and Modern York

Education


Hochschule für Angewandte Kunst, Vienna, Austria


Solo Exhibitions


‘[The Queen Falls.’, Galería OMR, México D.F, Mexico
‘your age and my age and the age of the rainbow’, The Garage, Moscow, Russia


‘Miami Mountain’, outdoor installation commissioned by The Bass, Miami Beach, Florida, US
‘everytime the sun comes up’, Place Vendôme, Paris, France
‘the sun at 4pm’, Gladstone Gallery, New York, US
‘two men contemplating the moon ’, Esther Schipper Gallery, Berlin, Germany
‘giorni d’oro + notti d’argento’, MACRO Testaccio and Mercati di Traiano, Rome, Italy
‘Ugo Rondinone: Moonrise Sculptures’, Institute of Contemporary Art/Boston, Boston, Massachusetts, US
‘primordial’, Gladstone Gallery, Brussels, Belgium
‘Vocabulary of Solitude’, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands
‘Becoming soil&r

~These pages are currently under construction~

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Please note: In the majority of bibliographic records, MKI has not used umlauts. Instead, attempt searching for ae, oe, or ue

These pages consist of information on pamphlets, journals and journal articles, manual chapters, and more from the Library and Archives of the Max Kade Institute. They also includes additional online resources connected to German Americana.

Talazko, Helmut. &#;On the history of protestant efforts to the benefit of emigrants and emigrated.&#; In: Jetzt wohnst du in einem freien Land; Zeitschrift fuer Kulturaustausch, vol. 39, no. 3, , pp.
Notes: The articles are in German.
Hrsg. Institut fuer Auslandsbeziehungen, Stuttgart.
Abstract: Depart evangelische Auswandererfuersorge setzt etwa zur gleichen Zeit ein wie die deutsche Massenauswanderung nach Nordamerika. Sie geht jedoch nicht von den Landeskirchen aus; denen machte es ihre enge Verbindung mit dem Staat unmoeglich, Verantwortung fuer solche zu empfinden, die aus dem Untertanenverband ausgeschieden ware

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Kevin Clarke
Operetta Research Center
17 June,

What do you do when all the world is abuzz with football, and you don’t present as f*** about ballgames? Adequately, you can always focus on Barbra Streisand as an alternative, or, to be more specific, focus on Barbra’s nose and ask what that object of Jewish pride has to perform with Dmitri Shostakovich. And what a new production at Berlin’s Komische Oper has to execute with Billy Elliot? And why the story told in The Nose is a queer one of particular relevance for lgbtq+ people, giving answers that a 90 minute football match (sadly) does not give.

The &#;nose&#; as the center of attention in Shostakovich’s opera at Komische Oper. (Photo: Robert M Berlin)

Shostakovich’s opera is about a man whose nose goes missing; as a result he feels he’s not a ‘real’ man anymore, and he’s ashamed to show himself in society, fearing he’ll be treated as an outcast. He tries to find his nose, stick it back on, and pretend to be ‘normal’ – which he does, in the end, with a fake nose that allows him to dine girls, eat in a restaurant, walk the streets of St